Aristophanes
446–386 BC · Ancient Greek
The new education, which promises to make a young man clever at argument, delivers a cleverness that is turned first against the creditor and then against the father, so that what was sought as a weapon for the household becomes the instrument of its destruction, and the comic poet can ask whether an education so constituted is an education at all.
The is a comedy about the education of a young Athenian, and it is the earliest treatment in the tradition of a theme which will return in almost every later age: the collision between an older, customary education in the virtues of the city and a newer, self-conscious education in the arts of argument. Strepsiades, an old farmer crushed by debts his son Pheidippides has run up on horses, discovers that there is a school in Athens which teaches men how to use words so cleverly that they can talk their way out of any obligation. He first tries to learn the art himself, fails, and then sends Pheidippides in his place. The son proves a much better pupil than the father, and returns from the Thinkery equipped with all the new rhetoric.
What happens next is the joke Aristophanes means to impress upon his audience. The son first uses his new education to help his father cheat the creditors, as had been intended. But the education does not stop there, because the principles on which the cheating has been carried out are perfectly general. When the father complains that the son has beaten him, the son offers a clever argument that beating one's father is permitted on the same grounds on which beating one's disobedient children is permitted, and he offers further to prove by the same method that beating one's mother is also permissible. Strepsiades, who had paid for the son's education in order to save his property, now finds that he has bought for himself a teacher of parricide. He sees, in horror, what his investment has produced, and he sets the Thinkery on fire.
The play raises a question about education which every later writer on the subject will have to answer. The older Athenian education, as Aristophanes describes it in the mouth of the Just Argument, had been an education in poetry, music, gymnastics, and the imitation of the virtues of one's elders. This education had been tightly bound up with the customs of the city and with the honoring of its gods, and its aim was to produce a man who would take his place in the community as his father had taken his. The new education separates the tool from its moral purpose, and offers the tool to anyone who will pay for it. What the play asks is whether this separation is possible without loss, and whether the resulting cleverness, when turned back upon the household from which it came, is not the enemy of everything the older education had tried to preserve.
"Give the youth to me boldly; you will see him soon become a clever speaker, refined as a thinker, and the terror of his enemies."
"Why, father, how pleasant it is to be familiar with new and clever things, and to be able to despise the established laws."
Plato's is, among other things, a long answer to the question Aristophanes had raised, and the careful attention which Plato gives to the early training of the guardians in music and gymnastics, and his exclusion from the ideal city of the poets who might undo that training, is best read against the background of the . Aristotle, in the eighth book of the , takes up the same question in a calmer key, and insists that an education which does not aim at the formation of character is not an education in the full sense of the word. The tradition has continued to wrestle with the problem which Aristophanes was the first to put comically upon the stage.
Key work: Clouds