Plato
428–348 BC · Ancient Greek
Reason persuades necessity; the cosmos is built where intelligible order meets the wandering cause.
Plato inherits two rival pictures (Parmenides's changeless being and the atomists' blind necessity) and refuses both. In the he stages creation as a contest between two principles: nous, intelligent craftsmanship, and anankē, brute necessity. The demiurge does not command necessity; he persuades it, shaping the receptacle toward the best order the materials will permit. Whatever is orderly and beautiful in the cosmos comes from reason; whatever is irregular, the residue of the "wandering cause," comes from necessity.
This gives Plato a two-tiered metaphysics of modality. The Forms are necessary in the strongest sense: eternal, self-identical, incapable of being otherwise. The sensible cosmos is shot through with contingency because it is made of becoming, of matter that resists form. Yet it is not random. The Book X argues against the atomists that soul, self-moving and rational, is prior to body, so that the ultimate causes of motion are not blind but intelligent. Chance and necessity are subordinate to mind.
The stakes are cosmological and ethical at once. If necessity were sovereign, piety, law, and virtue would be illusions; if contingency were total, no science would be possible. Plato's mixed cosmos preserves both: knowledge of the eternal, and responsibility in the changing.
"The generation of this cosmos was a mixed result of the combination of necessity and reason. Reason overruled necessity by persuading her to guide the greatest part of the things that become toward what is best."
"All things are full of gods."
Plato leaves the tradition with a fault line it never fully closes: if the Forms are necessary and the sensible world is shot through with contingency, can the cosmos be genuinely known, or only approximately guessed at? Aristotle will press this hard, insisting that natural science can achieve demonstration, not merely likely stories.
Key work: Timaeus