Aristophanes
446–386 BC · Ancient Greek
Philosophy, as it appears to the ordinary citizen who has not been trained to it, is a suspicious occupation in which grown men investigate the motions of fleas and the phases of the moon, and teach the young how to make the worse argument appear the better, and it is the comic poet's office to put this appearance on the stage before the philosophers themselves have explained what they are doing.
Before the tradition of philosophy had established itself in the Greek cities as a respectable calling, the figure of the philosopher was an object of comic suspicion, and no writer has given that suspicion a more enduring form than Aristophanes. In the , first produced in 423 BC and later revised, the poet places on the stage a version of Socrates who has built a school called the Thinkery, in which the master and his disciples sit hunched over the earth investigating the mysteries of gnats and fleas, or hang suspended in baskets the better to contemplate the heavens. To this establishment comes the farmer Strepsiades, driven by his debts to seek from the new learning the rhetorical skill that will let him cheat his creditors. What he finds is an enterprise which, to his commonsense eye, looks like a mixture of astronomy, impiety, physical speculation, and sophistic argument, all of it carried on in rags and hunger for reasons that are not clear.
The caricature is plainly unjust to the Socrates we know from Plato and Xenophon, and Plato himself, in the , cites the as one of the early sources of the prejudice against Socrates that finally brought him to trial. But it would be a mistake to treat the play as merely a slander. Aristophanes is giving comic expression to an objection which the ordinary Athenian really did have against the new class of thinkers, and which the defenders of philosophy from Plato onward have had to answer. The objection is that philosophy as it appears in the agora takes the young man away from the duties which bind him to his family and his city, fills him with doubts about the gods who were honored by his father, and leaves him with tools of argument which he can use, without moral scruple, against the traditions that held his community together. The play ends with the Thinkery in flames, set alight by Strepsiades in righteous rage against the new education.
The questions raised here belong to several of the neighboring ideas. The relation of philosophy to the traditional beliefs of the city belongs also to the chapters on Religion and on Custom and Convention; the question of whether the teaching of argument can be separated from the teaching of morals belongs to the chapters on Rhetoric and on Education; the figure of the philosopher as a danger to his community returns in the treatment of the death of Socrates and of every later thinker whose teaching has been felt as a threat by authority. What is peculiar to the idea of Philosophy itself is the display of a case in which the philosophical life is viewed from the outside, by a man who has no share in its goods and sees only its external oddities, and in which the philosophical answer to this view has not yet been given.
"I must indeed be suspended here, so that my subtle head may mingle its thoughts with the air, which is of like nature, and so penetrate the heavenly mysteries."
"Whirl is King, having driven out Zeus."
Plato's defense of philosophy, particularly in the and the , is written in full awareness of the popular picture which the had given permanent form, and it is a commonplace of the scholarship to read Plato's account of the philosopher as a response to the Aristophanic caricature. Aristotle's separation of the philosophical from the political life, and his insistence that the contemplative activity is the highest happiness, can also be read as part of this same answer, though conducted in a calmer key. The comic poet's objection does not go away, and returns in every later age in which the figure of the intellectual becomes, for reasons like Strepsiades', an object of the plain man's suspicion.
Key work: Clouds