Plato
428–348 BC · Ancient Greek
Time is the moving image of eternity: the ordered succession that mirrors the unchanging Forms.
Plato gives the tradition its first great image of time. In the , the Demiurge, contemplating the eternal Forms, wishes to make the visible world as much like them as possible. But the world is in motion, while the Forms are unchanging. So the Demiurge creates, along with the cosmos, "a moving image of eternity": time, which moves according to number.
Time and the heavens come to be together. The sun, moon, and planets are "instruments of time," their circular motions marking the days, months, and years that allow mortals to count and measure. Before the ordered motions of the heavens, there is no "before" and "after" properly speaking.
Time thus has a secondary, derivative status. The truly real is eternal and motionless; time is the best the sensible world can manage: an orderly, numbered shadow of the unchanging.
"He made a moving image of eternity, and... this image we call time."
"Time and the heavens came into being at the same instant."
Plato installs the opposition of time and eternity that will structure the tradition. Aristotle will immediately press on the weakness in this account: if time requires an ordered cosmos, what was there before the Demiurge imposed order? Plato's answer (there was no "before") will not satisfy him, and the debate about whether time could have a beginning will run through Augustine, Aquinas, and Newton before Kant finally declares it unanswerable.
Key work: Timaeus