Aeschylus
525–456 BC · Ancient Greek
Justice begins as blood calling for blood, and is completed only when the city takes the wronged into its own keeping.
The discussion of justice in the is the earliest sustained treatment of the subject in the tradition of the Great Books. It is set in the form of a trilogy in which an original wrong gives rise to a second wrong done by way of redress, and this to a third, until no further private act can bring the matter to an end. Agamemnon sacrifices his daughter and is killed by his wife; Clytemnestra having killed her husband is killed by her son; Orestes, in having avenged his father, has incurred the blood-guilt that falls on the killer of a mother. The Furies pursue him. At each stage the act that restores the balance is also the act that disturbs it, so that justice conceived as requital alone proves incapable of bringing the sequence to rest.
Aeschylus is not content to leave the matter there. In the Eumenides he traces the passage from the older retributive order to a form of justice that only the city can administer. Orestes flees to Athens. Athena institutes a court. The Furies are persuaded, though with difficulty, to accept a place in the new order and to surrender their private right of pursuit to the public authority. What has been achieved in the process is not the abolition of vengeance but its transformation: the blood-claim, which could not be put to rest by any further act of the same kind, is lifted out of the family and placed in the hands of a civic institution where it can be adjudicated and brought to a close. Justice, so understood, is inseparable from the establishment of the political community itself.
This treatment raises a number of questions to which the tradition returns under other ideas. The relation between justice and the public authority of law is considered under Law; the transformation of private vengeance into public punishment under Punishment; the bearing of divine upon human justice under God and Fate. In Aeschylus the three are not yet disentangled, and what gives the trilogy its weight is precisely the way they are made to bear on one another.
"Wisdom comes alone through suffering."
"Here in this place shall the fear and reverence of my people's kindred hold them back from doing wrong."
Plato and Aristotle take up what the tragedian had dramatized and place it within a more systematic frame. Where Aeschylus had shown the blood-feud exhausting itself and giving way to the city's court, Plato will ask what the just city is and whether a just soul must be one ordered like it; Aristotle will distinguish the several senses in which the word is used, and will separate the justice which is a particular virtue from the justice which is the whole of virtue exercised toward one's neighbor. However different in method, each begins from the same scene the had set: a wrong which cannot be righted except by something more than a private act of return.
Key work: Oresteia