Aeschylus
525–456 BC · Ancient Greek
Punishment begins as the blood-claim of the Furies and is completed only when that claim is taken up into the judgment of a public court.
The treatment of punishment in the begins from the assumption that every wrongful act calls for a return in kind. Blood must be paid for with blood, and the debt is owed not simply by the individual wrongdoer but by the house to which he belongs. The Furies, who appear in the third play of the trilogy, are the embodiment of this demand. They are archaic, chthonic powers older than the Olympian gods, and they pursue the shedder of kindred blood with an implacability that cannot be set aside by argument. Their case against Orestes is that he has killed his mother; no other fact about him is relevant, and no considerations of intention or provocation are admitted into their reckoning.
Aeschylus does not dismiss the claim of the Furies. What he shows is that it cannot rest there. The principle of exact retribution, applied without qualification, leads only to further killings and therefore to further claims; the debt is never discharged, and the sequence of acts of vengeance does not exhaust itself. In the Eumenides the tragedian accordingly sets out a second moment in the story of punishment, one in which the demand for retribution is taken up and transformed. Athena establishes a court of citizens. The Furies are persuaded, with great difficulty, to accept the verdict and to consent to be honored under a new name as kindly powers. What the court does is not to deny their claim but to place the decision about each particular case outside the hands of those who have been most immediately wronged.
The chapter of the tradition that begins here raises questions to which later writers return again and again. Whether punishment is essentially retribution or correction, whether it must be proportioned to the wrong or to the good it produces, whether the authority to punish belongs naturally to the sufferer or to the public: these questions are treated under the ideas of Justice, Law, and State, and each of them has a first dramatization in Aeschylus. The tragedian does not resolve them, but he gives them the form in which the philosophers will find them.
"The doer shall suffer. That is the ancient law."
"Let no man live uncurbed by law nor yet by tyranny enslaved."
Plato will later argue in the and the that punishment is a kind of medicine for the soul, aiming at the reformation of the wrongdoer rather than the satisfaction of the injured party. Aristotle will distinguish corrective from distributive justice and place punishment under the first. Later writers from Augustine to Kant will debate whether retribution or correction is primary. In each case the distinctions they draw fall within the larger space the Aeschylean trilogy had already opened: the space between the injured party's claim and the city's judgment.
Key work: Oresteia