Sophocles
497–406 BC · Ancient Greek
Duties can collide, and when they do, the agent is forced to choose between obligations each of which has a binding hold on her, and no appeal to a higher rule can dissolve the conflict.
The treatment of duty in Sophocles takes its sharpest form in the , where the heroine is placed between obligations that cannot both be honored. As a subject of the city she is bound by the edict of its ruler, which forbids the burial of Polyneices. As a sister she is bound by the claims of kindred and by the duty, laid on the living by the gods of the household, to bury the dead. As a pious woman she is bound by the demand of the gods below, who require that the body of the fallen be given its proper rites. These obligations do not differ in degree only; they issue from different sources, and each of them is a duty in the full sense. The is the dramatization of the fact that duties may stand in conflict.
What makes the play exemplary for the tradition is the refusal of either party to deny the reality of the other's claim. Creon does not say that the obligations of kindred are unreal; he insists that the obligations of the citizen must take precedence when the two collide. Antigone does not say that the city's edicts are without force; she insists that the commands of the gods below and of family must take precedence over any edict whose demand is incompatible with them. The tragedy lies in the fact that each is right within the order from which she or he speaks, and that no order larger than both has been put in a position to adjudicate between them. Ismene, by refusing to act at all, represents a third possibility, which is the ordinary prudence of those who see the conflict and step aside.
The problem so formulated belongs to several later discussions. Under Justice it reappears as the conflict of the several justices which claim authority over the citizen; under Law as the conflict of the unwritten and the written; under Family as the collision of the obligations of kindred with those of the political community. What Sophocles adds, and what is properly his contribution to the idea of duty, is the recognition that these conflicts are not necessarily the result of error on one side or the other, and that the agent may be called upon to act in circumstances where no course is available that does not breach some obligation.
"I knew that I must die, and if I am to die before my time, I count that gain."
"I did not think your edicts strong enough to override the unwritten and unfailing statutes of the gods."
The question whether duties can really conflict, or whether a rightly constructed moral theory must rule out such conflicts, is one the later tradition takes up under several heads. Aquinas will argue that where duties appear to conflict, one of them is only an apparent duty, and the appearance of conflict arises from a failure to see this. Kant will attempt a stricter formulation, in which the concept of duty excludes the possibility of a conflict of duties strictly so called. Against these more systematic positions, the Sophoclean scene remains a standing case. Whether tragedy is a way of seeing something that analysis must lose, or whether the analysis corrects what tragedy had made to look inevitable, is a question that the treatments of duty in the later tradition keep returning to.
Key work: Antigone